Almost overnight, he came to embody the hopes of the French school and seemed poised to resurrect the fortunes of history painting, the most prestigious painting category. Similar Designs. The paint was applied vigorously, with impasto in highlights and thin washes that leave the ground partially visible in the shadows. Edmond and Jules de Goncourt, 1874, in Edmond de Goncourt and Jules de Goncourt, in the National Gallery of Art Collection, 18th-Century France — Boucher and Fragonard, 18th-Century France — The Rococo and Watteau, The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting. Dr. Théodore Tuffier [1859-1929], Paris, by 1910 [or possibly purchased 1905 at Cronier sale through Ducrey], until at least 1928. Strong light from above softens the pink of her cheeks (one 19th-century critic compared them to the skin of a peach) and casts her shadow against the cushion and the wall. With his extraordinary imagination and artistic virtuosity, Fragonard was almost unequaled in his ability to challenge the traditions of painting and the conventions of aesthetic taste. See Yuriko Jackall, Fragonard: The Fantasy Figures, exh. To the right of the girl’s neck is a small complex tear. Among the most beloved works in his oeuvre, these pictures are also the most mysterious and have therefore prompted the most debate—produced for unknown reasons, perhaps representing real individuals, perhaps not. Order reproductions from the Gallery Shop. 13 x 10.2 cm In Interior with a Young Girl Reading, she sits quietly, absorbed in a book—depicted with bold marks and vivid, planes of opposing and often complementary colors. Closed. Export from an object page includes entry, notes, images, and all menu items except overview and related contents. There is something almost spiritual in reading the diary of this very wise, very young girl who, for lack of a better word, vanished with millions of others in the Holocaust. I have a good faith belief that use of the material in the manner complained of is not authorized by the copyright owner, its agent, or law. Open Access image. National Gallery of Art, Washington DC Washington, DC, United States. Draw a Floor Plan Have students draw a floor plan of what they think the annex looked like, based on Anne's descriptions in her diary. Born in Grasse in 1732, Fragonard moved with his family to Paris when he was still a young boy, and in his late teens he studied with two lions of 18th-century French painting, Jean Siméon Chardin and François Boucher. In 1986 a slightly toned varnish was applied. [2] Jacques Dumont de Montroy, Les Kergorlay dans l'Oise et en Normandie, Beauvais, 2006: 167-170; Roger Portalis, Honoré Fragonard: sa vie et son oeuvre, 2 vols., Paris, 1889: 282. Fragonard’s astounding brushwork is as much the subject of this painting as the young woman reading is. The fashionable lemon-yellow dress, accented with a white ruff and cuffs, stands out brilliantly against the unadorned interior. Comte Denis de Kergorlay kindly provided a copy of the 2006 book about his family, enabling the identification of the "Comte de Kergorlay" named as the painting's owner in 1889. The cross-sections also confirmed the presence of the two ground layers. The Collections of the National Gallery of Art Systematic Catalogue. $11. Casimir Perrin, marquis de Cypierre [1783-1844], Paris; (his estate sale, at his residence by Thoré, Paris, 10 March 1845 and days following, no. 31, 160-166) as "Possibly comte du Barry, Paris," based on the provenance for the painting according to Georges Wildenstein, The Paintings of Fragonard, complete edition, New York, 1960: no. Uniting several fantasy figures with the drawing, the exhibition focused solely on this aspect of the artist’s production, while the catalog that accompanied it explores Fragonard’s technique in detail. The support was prepared with two ground layers: a pale-gray layer covered by a fawn-colored layer. We used to do things our mothers never did. The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. (sale, Paillet at Hôtel d'Aligre, Paris, 7 February 1777, no. The vivid brushwork draws attention to Fragonard’s virtuosity, but it also suggests the mental transport experienced by the figure of the self-contained reader. In the aftermath of the French Revolution, Fragonard became an important arts official and helped establish new museums at the Palais du Louvre and at Versailles. Working feverishly, Fragonard used his models as a springboard for his artistic imagination. Learn more. READ MORE: Glasgow Film Festival chief on diversity in movies and future of cinemas Try these nonfiction recommendations: 8 Ball Chicks: A Year in the Violent World of Girl Gangsters by Gini Sikes Enter the world of girl gangs in Los Angeles, San Antonio, and Milwaukee. Cross-sectional analysis shows that there is no intermediate paint layer between the two heads, nor is there varnish or dirt between them. Had Jean Honoré Fragonard followed the traditional path of 18th-century artists, he well might have become the French king’s “first painter” and director of the nation’s acclaimed Académie royale. Soon, however, Fragonard largely dropped out of the rigid official system that governed artists’ professional development and, to the disdain of his contemporaries, chose to work for an eager and growing market of wealthy private collectors. National Gallery of Art, Washington, 2017: 52. Young Girl Reading Painting. Illustration of girl is reading a book. Further analysis (false-color infrared imaging and XRF elemental mapping of both lead white and vermillion) conducted between 2013 and 2015 produced images indicating that the underlying head is actually that of a woman wearing a beaded and feathered headdress, her face turned out to gaze directly at the viewer. As charming and witty as his paintings, Jean-Honoré Fragonard was one of the most prolific artists of his time, producing more than 550 works during his career. A larger J-shaped tear extends through the pillow and arm of the chair at the bottom right. The girls share their ups and downs as they turn from teenagers into adults, documenting it all on a pair of pants that magically fit each girl perfectly. You may download complete editions of this catalog from the catalog’s home page. She is absorbed in a small book that she holds in her delicately curled right hand—pinky extended—reflecting the vogue for portable novels that flourished among the elite late in the century (such as Voltaire’s satirical Candide or Rousseau’s sentimental Julie ou la nouvelle Héloïse). More from This Artist. The dimensions of the Gallery’s picture (approximately 81 × 65 cm) are identical, or nearly so, to those of the fantasy figures. “I was a young girl in the 1960s. To make sense of World War II, one must begin with the aftermath of World War I and the Versailles Treaty of 1919. ≥ USD 91.00. girl reading at beach. New analysis was performed between December 2012 and January 2015. cat. cat., National Gallery of Art, Washington, 2017) and Yuriko Jackall, John K. Delaney, and Michael Swicklik, "'Portrait of a woman with a book': a 'newly discovered fantasy figure' by Fragonard at the National Gallery of Art, Washington," Burlington Magazine 157, no. Key Facts. The support is a slightly coarse plain-weave fabric. [3] An annotated copy of the 1905 sales catalogue in the NGA Library provides Ducrey's name, who was possibly buying for Tuffier. Washington, D.C., 2009: no. Two Girls Reading lady Robert Reid. In 2012, a previously unknown drawing appeared on the art market. Elaine C Smith translated the popular children's story in 2016. Stay up to date about our exhibitions, news, programs, and special offers. In the description of Sale Catalog F-A406, the Getty Provenance Index Database of sale catalogues corrects Wildenstein's inaccurate identification of the seller, but provides only the surname Verrier. This suggests that Fragonard did not embark on the repainting immediately, as the lower layer would require at least six months to dry to this degree. ≥ USD 91.00. Comte Pierre de Kergorlay [1847-1919], by 1889. The gray shadowed lines in the girl’s collar and fichu were created by incising into the wet white paint with the butt end of the brush to reveal the gray layer beneath. Oil on canvas. We cut our … Closed, Sculpture Garden Although the painting appears to have sold at the marquis' 1845 estate sale, it possibly remained in the family and came to Pierre de Kergorlay through his second marriage in 1880. 55). Fragonard went to Rome in 1756 and stayed in Italy for five years, traveling the country, copying paintings, and working with fellow French artist Hubert Robert. [1]  [1]For a copy of the 2009 entry on this painting from the systematic catalogue French Paintings of the Fifteenth through the Eighteenth Century, please see the file available for download on this page under "Archived Version(s)." ANNE FRANK: THE DIARY OF A YOUNG GIRL is at once instructive, inspiring, and immensely engaging. In 2012, researchers discovered a previously unknown drawing by Fragonard that included sketches of 18 paintings, many recognizable as known fantasy figures. My friends and I used to do a lot of things which shocked our parents. 4th St and Constitution Ave NW Technical studies (2013–2015) confirmed the presence of an underlying painting in which the model poses as she appears in the Sketches of Portraits—face turned outward—and not as she appears in the finished painting that has long hung on the Gallery’s walls. 79.1991. Prominent cusping on all four edges suggests that the painting has not been cut down. (Wildenstein & Co., Inc., Paris, New York, and London); Alfred W. Erickson [1876-1936], New York, by 1930;[3] by inheritance to his wife, Anna Edith McCann Erickson [d. 1961], New York; (her sale, Parke-Bernet Galleries, New York, 15 November 1961, no. 1 - Portrait of Young women Who read the years in hiding and her thoughts she. 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